Stephan was born in Düsseldorf, Germany, where he studied visual communications at the University of Applied Sciences. Stephan has been drawing for print and web agencies, publishing houses and event marketing companies since 1996 and is very fond of the diversity of his profession. Stephan published his first children’s book in 2011 which became the starting point for his new found passion, to write and draw his own stories.
1) How did you become an illustrator of children’s books after having a professional career drawing for print and web agencies, publishing houses and event marketing companies?
Wimmelbücher are picture books with crowded scenes and are very popular in Germany. I was very fascinated with them at a very young age and the images of artists like Ali Mitgutsch are branded in my mind. Comparable to these books outside of Germany are probably only the Where is Waldo? books. I saw that a befriended illustrator published a wimmelbuch at a brand new publisher which was specialized on these books. So I wrote a quick email to the publisher and got a chance to do a 4 spread book. It became a success and 2 other books followed. These books gained the attention of a UK Agent and after signing up with them I got the chance to do 3 more books for the UK market. The books took over my work time until I basically do only books now.
2) Describe your illustration style and creative process. What makes your illustrations unique and different?
It’s hard to describe what you do subconsciously. I would say it’s colorful, bright, joyful and a bit edgy. The form of the characters are stylized and abstracted. I try to mix my influences of 50s and 60s flat shape illustrations with my personal twist.
3) Has technology changed your trade and the way you work?
My pencil drawing are very different to my digital art. I could not do my digital style analogously. My work is much more clean and crisper, which I try to break up again and make it look more handmade lately.
4) Who are your biggest influences in your artistic career and why?
This changes through the years. It used to be Comic Books from Europe as well as the US, artists like Möbius and Frank Miller, then Chris Ware and now it’s old school children’s books from Alain Gree as well as contemporary artists like Marc Boutavant.
5) When did you realise you could make a living from your talent?
This was always my intention to live from my talent, so I took every job I could find, even during my studies. And that includes everything in Graphic Design, Webdesign and Programming.
6) When collaborating with an author or a client, how do you ensure you are able to translate their words into art and convey the message they are trying to portray?
It is key to talk to the client via telephone or in person. Only that way you can fully understand what they want. A lot of things can be misunderstood if you only communicate via email.
7) Tell us about the proudest piece of work you have done.
There is one image of a walking tree and a small boy walking through a dark forest. The illustration was done pretty quickly and without much thinking, but the reaction was huge, because everybody can see a story in there. I am currently working on it and hopefully this will be a book one day.
8) What advice do you have for aspiring illustrators when first dealing with a publishing house?
If they have a script for you ask yourself if you really like it and if you really want to tell the story through pictures. If you have your own story, they will try to tweak it here and there. This can be a good thing and it can improve your work. But always ask yourself, is it still fun to draw and is it still your story at heart. Lastly take a close look at the contract. Do you get enough out of this? And do not work without getting royalties, because that’s your real payment in the long term.
9) Please provide a short brief of each of the pictures you have submitted
Follow That Car – the mouse following the gorilla on a big red background is a eye-catching image I am really proud of.
Find The Frog – the park scene is a lot more colorful than my work before.
Mamasaurus – this image was done just as a quick scribble and gained enough attention from a publisher so that I did a whole picture book around it.
Should you wish to know more about Stephan, here are his pertinent details.
Website: Stephan Lomp
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