Illustrator Interview: Alison Edgson

Alison Edgson was born in County Down in Northern Ireland. She worked in the computer department of a bank before studying Visual Communication at the University of Ulster in Belfast. After graduating with a First, she and her husband Jeff moved to an old chapel in the Usk Valley in Wales where she now paints and illustrates children’s books and greetings cards. She spends most of her free time trying to tame the tangle of Welsh hillside that is her ‘garden’, indulging the cat and walking her two energetic Labradors, and loves running and generally getting involved in village life.

1) How did you become an illustrator of children’s books or similar works?
It was a career change after 15 years working in the bank in IT – I got voluntary redundancy and took the opportunity to fulfil a long held dream to go to Art College. I completed a foundation year, followed by a 3 year honours degree in Visual Communication at the University of Ulster, graduating with a first in 2000. After that we moved to Wales and I started to pick up illustration work here and there until my agent Advocate offered to represent me. I’ve illustrated lots of children’s books since then and still love what I do – I’m very lucky!

2) Describe your illustration style and creative process. What makes your illustrations unique and different?
My work is colourful and usually quite atmospheric and I also hope it’s humorous – that’s what I strive for. I work in acrylics with coloured pencils at the moment but am always trying to develop and try new things and am currently working on a new style which is really challenging me as it is very different and fresh and right out of my comfort zone!

3) When did you realise you could make a living from your talent?
Really not until I began to get real offers of work – before that I hoped I could but never felt confident that it would work out as I knew there was a lot of competition in the field.

4) Has technology changed your trade and the way you work?
I’ve always used a computer to some extent with my work although it is painted in a traditional way. My work is reproduced digitally and I am comfortable with using traditional methods as a starting point for an illustration that can be worked on further in Photoshop if necessary. Coming from an IT background I’m okay with that and technology is useful for me in other ways too – simplifying the early stages of a project and reducing the need to dash to the post office with bundles of artwork every week!

5) Who are your biggest influences in your artistic career and why?
My family were all artistic especially my Mum who was able to draw horses beautifully – such a tricky subject! My Dad used to do big funny posters for his am-dram society too.

6) When collaborating with an author or a client, how do you ensure you are able to translate their words into art and convey the message they are trying to portray?
Once I’ve read their words (and I nearly always love the stories and get very excited when I read them for the first time) I try to  trust my instincts as I can usually visualise the story as I read it. Getting it down as I see it is the challenge!

7) Tell us about the proudest piece of work you have done.
I was very chuffed to win the Picture Book category of the Red House Children’s Book Awards for Yuck, That’s not a Monster – it was especially nice as the winning books were chosen entirely by children, and I got to meet Michael Morpurgo at the award ceremony!

8) What advice do you have for aspiring illustrators?
Try to find out as much as you can about the industry and keep up to date with what’s popular – there’s lots of good information in the annual Writers and Artists yearbooks, and the Association of Illustrators is well worth joining to get free portfolio consultations and they run workshops and offer useful publications on the business side of things as well.

9) Please provide a short brief of each of the pictures you have submitted.
This is a spread from Waiting for Santa – I loved painting this atmospheric scene where the friends settle down in the snow and hope that Santa will see their tree and bring them presents

Waiting for Santa

This illustration is from I Want my Mummy, the challenge here was to make an interesting, warm and colourful bedroom scene and as it was the opening spread for the book to introduce the characters of Arthur and his mummy. Adding the little details – the toys and the décor are the fun part!

I Want my Mummy

Should you wish to know more about Alison, here are her pertinent details.

Website: Alison Edgson
Alison’s social media connections:


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